![]() Unfortunately, Hollywood hasn’t always done right by the X-Men. It’s so much easier to relate to them than to Tony Stark. No matter the era, the X-Men resonate with viewers who feel like outsiders, connecting with fans either because of their nerdy love of comic books, their sexual orientation, their racial heritage, or another marker of social “otherness.” Superheroes are often thought of as invincible, but the X-Men, despite their fabulous powers, always come across as underdogs: misunderstood, outnumbered, fighting to be accepted for who they are. Lee’s “cowardly” decision to make them mutants has, in fact, been the secret to their enduring appeal. Since then, the X-Men have had sequels, prequels, and spin-offs, but what has remained constant is audiences’ fascination with these characters’ otherness. Making their comics debut in 1963, those mutants wouldn’t hit the big screen until 2000, when Usual Suspects director Bryan Singer teamed up with screenwriter David Hayter to bring the story of Professor X, Magneto, Jean Grey, and Wolverine to moviegoers. ![]() And I took the cowardly way out, and I figured, hey, the easiest thing in the world: They were born that way. “And we figured, my publisher and I, figured why not do another group? My problem was, what powers would I give them? … Then, once I figured out what powers they’d have, I had to figure, how did they get their powers? And they were all separate people that weren’t connected to each other, so I knew that would be a helluva job. “ Fantastic Four had sold so well,” co-creator Stan Lee once recalled. The X-Men came into existence thanks to another gaggle of superheroes.
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